Firstly, we have a remix of Skream's Make Me, coming from Distance. Distance's tracks usually take the way of an instrumental, with long drawn out 'riffs'. This remix is no different, but by splicing in the vocal samples from the original, Distance has almost bettered the original and created a great track.
Joy Orbison has had a very impressive six months; after the hype of Hyph Mngo threatened to devour him, he pressed on with the fantastic The Shrew Should Have Cushioned the Blow EP, and some highly rated Live shows adding to his burgeoning reputation. This new remix is of a Todd Edwards track, I Might Be. The remix is just plain nice, the light vocals of the original remain intact, with some great 2steppy beats thrown around with some added trademark chopped vocals. Enjoy...
Finally, after the previous YouTube post praised Pendulum's new dubstep direction, here is the track in question. Set Me On Fire has it's influences all over it, just like their drum 'n' bass work I guess. This could be a good or bad thing, as the track essentially copies the ideas of Doctor P, Nero and Trolley Snatcha in the female rave build up and the huuuge billowing bass wobbles that are just silliness. But that's what we like, isn't it?
Hello there! I hope you've missed me. Back in the country, after last night's Toga Party debauchery it's back into the world of work. My lecturer won't be too jolly if he knew I was posting during a lecture, but still, thus is life.
I'm going to cheat by just giving you the review I have written of Joy Orbison's gig at the Leaf Cafe a few weeks ago. I know it's a long turn around of a review, but my deadline is Monday for the magazine so I've took my time. Please give me your feedback, constructive criticism is very useful!
Here you go...
Joy Orbison – Leaf Cafe & Bar, Parliament St, Liverpool
Liverpool’s dubstep followers circa 2009 were a loutish lot; popping pills and stomping through venues like hordes of Viking warriors. However, as the genre has branched out, so has it’s fan base. The crowd of individuals populating the Leaf tonight were a regression and evolution on that rather sinister and intimidating bunch.
There were dubsteppers trying to find a rhythm that was long lost in the mix, there were Indie kids coming to see what the hype was about, and there were the local glitterati who I assume were the most at home at this gig.
The old crowd did infiltrate these peaceful and serene surroundings, a couple of pissed bellends decided to push into everyone in the venue, and I quote directly, “For a Laugh.” Others in the crowd certainly did not share their outlook, as angry confrontations followed them around the dance floor.
I am not attempting to come across as some ‘Cooler Than Thou’ lothario, just that there is a time and a place, and this certainly was not it. This was a gig for all, from a middle aged couple to the indie kids, everyone was at home. The unifying denominator was the music. And it was enthralling.
Fresh off the release of his The Shrew Cushioned the Blow EP, Joy Orbison sparked this chilled venue into life.
As Joy Orbison stepped up to the decks, there was an air of anticipation rippling through the crowd, and Mr O’Grady certainly didn’t disappoint. He came in hard, playing BRKNCLLN within the first ten minutes. As the crowd warmed to his 2-step/dubstep hybrid, the tunes began to come in heavy.
Continuously mixing the tempos, Joy Orbison’s set was an amalgamation of all that has created such a buzz around the man. Throwing in cuts from Martyn, Instra:Mental, Joker, Roska and a few exclusives from the man himself, his track list was essentially a ‘Who’s Who’ of the new wave of producers.
The crowd stepped on for their lives as they were confined in the No Man’s Land of Percussive Crossfire emanating from the parallel speaker stacks.After the adoration of the crowd over flowed into a huge round of applause, Orbison ended his pulsating set with the rapturously received Hyph Mngo.
After being named in BBC, NME and Pitchfork’s ‘One to Watch’ lists, 2010 is going to be a big year for Joy Orbison.
Andrew Hill
Here's a mix he did recently, listen while you read the review if you want, it's there to stream or download.
